My sister said my hand-stitched spines looked 'too perfect' and it threw me off
She's not a binder, but she collects old books and pointed at a 1920s novel with a slightly wobbly stitch line, saying 'that's what makes it feel real'. I've been so focused on getting every stitch exactly even that I never considered a bit of character might be better. Do you think there's a point where our craft becomes too clean and loses its soul?
That quiet pride @davis.ruby mentioned is real. It reminds me of a potter I knew who hated when people called his smooth glazes "soulless." He said the soul was in the ten thousand hours of practice to get it that way.
That idea about the "wobbly stitch line" making it feel real is interesting, but I see it the other way. For me, the soul is in the care and skill it takes to make it perfect. My own satisfaction comes from that clean line, like a quiet kind of pride in the work itself.